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  <url>
    <loc>https://www.patrickrennerarchive.com/work/5past-watches-sp5ha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1594951314750-PWAD96GWBZN4ISRHFBCD/IMG_4132.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>For inclusion in a group show, I reformatted one section of Funnel Tunnel [see images farther down in Installations section] that didn’t get used when the original sculpture moved from Montrose Blvd in Houston to Poydras Corridor in New Orleans. Stood on end, contrasting its previous horizontal orientation, the steel piece functions as a framework for displaying the colored wood pieces. These ‘weird fishes’ were made applying the chunklets ideology [see Evolution Painted Wood section] of using random plywood scraps as a substrate, in this case for herringbone-patterned strips of upcycled wood (also from the Montrose Funnel Tunnel install). The title fish trap is excerpted from a Modest Mouse lyric; the ‘weird fishes’ appellation is borrowed from a Radiohead song title.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1594951253418-FP5VN27XXKDQC8HPBEUM/IMG_4128.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>fish trap | 2018</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - Installations</image:title>
      <image:caption>This ring was temporarily installed in one of the chambers of Houston’s historic Mahatma rice silo. Suspended from hundreds of individual strands of colored thread from my grandmother’s sewing supplies, which came to me after she passed away, it honors the cycle of life and our loved ones who have gone before.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603865411428-6UASBQ1S9AEGXBLI4GEC/silo%2525252B%2525252528window%2525252529.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>An exploration of various themes: architecture in relationship to the human body imbedded information in architectural material + the spirit of the building buildings and the mind as repositories for memory clothing as plastic architecture clothing and architecture as identifiers for what is contained within layers of the body vs. layers of the earth human time vs. geological time Found painted wood, found window, pink fiberglass insulation, found objects, crowd-sourced clothing, reconfigured elements (steel framework, forked stick) from hot droop installation [see images below].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589759110955-0OQFBK0YD1YJWCSGJ2MZ/silo.jpg</image:loc>
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      <image:caption>silo | 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/cca19467-1fa3-41e1-8109-faa8ed1ef103/harbinger.jpeg</image:loc>
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      <image:caption>harbinger | 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603864178650-UANBZI35DI6DW0KS9S12/sentinel.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Philosophical inquiry on the nature of authority and security. Who protects us from those who protect us? Temporary installation outside City Hall, downtown Houston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603864135495-QBAIFL0VCTJ2GO510D5L/sentinel%2B%252B%2BOT.jpg</image:loc>
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      <image:caption>sentinel | 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1593068664149-5P6B7NK8FCH7SLYTBE0F/Large+JPG-20140228_Trade+151_0046.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>concrete jungle | 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1593068698100-IMAVS2CH74JBWKUPG9A5/concrete+jungle+%28angle%29.JPG</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Reconfigured steel pallet rack, found aluminum fence posts with incidental concrete castings, concrete chunks with steel stick-outs (from original Funnel Tunnel footings), carpet padding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603864265020-XWYVS0UWIAH7RNXRJDDH/sunraider%252B%252528side%252529.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>I made this installation during my tenure as a high school art teacher, and I think the repetition of teaching color theory sparked this interpretation of how white light refracts into a spectrum. The window of this space became my muse and the stand-in for a prism such as one would use in an optical experiment. The shape of the window was deconstructed and segmented into the individual ROYGBIV panels, each composed from found objects in their respective color range. The indigo arm was chopped off, both to cheat the problem I had of gathering a varied selection of indigo objects, and as a way to allow unimpeded ingress/egress. In retrospect I should’ve painted the inside of the door indigo…maybe I was denied permission to do that, memory doesn’t serve…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589006265443-7HFUHT2UZBAFC5FTWBYD/sunraider-close+side+%28low+res%29.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>sunraider | 2014</image:caption>
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      <image:caption>hot droop | 2014</image:caption>
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      <image:caption>The design for this piece began with a funny idea: what if a giant could pull a building surface like taffy? This notion of plastic architecture culminated in a piece that pays homage to one of my first major art influences, Dalí, as well as a more personal connection…the colorful forked stick holding up the sculpture previously sat outside of my mentor Lee Littlefield’s studio, and he would wipe off his paintbrushes on its surface after painting one of his technicolor pieces. When I worked for Lee in high school, helping him with guerrilla sculpture installations, he imparted on me his philosophy of a ‘museum without walls’ where the art was available to people and they didn’t have to go into institutions (and out of their comfort zone) in order experience it.</image:caption>
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      <image:caption>thicket (636) | 2014</image:caption>
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      <image:caption>This installation was part of a group show at the Houston Fire Museum. I made the ladders by cutting octagonal rungs and turning the ends of each (on my grandfather’s lathe) to peg them into the side rails; the ladders were then charred after construction. There are 11 ladders that range in height according to the Fibonacci sequence: 1 extra-tall, 2 tall, 3 medium, 5 short.</image:caption>
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      <image:caption>This installation was the result of an unusual thought experiment: I was considering cutting the top off (trepanning) my undergrad thesis piece dood [see image in Evolution of Painted Wood section] because it was so cumbersome. Ultimately I couldn’t bring myself to destroy the self-portrait, but it spurred this series of disks; they were so popular they sold immediately, and I ended up making ten in total, and referring to them as hotcakes… The wall was an attempt at a couple things: a method of display that would also redirect flow in the gallery space, so that the full view of the show wasn’t immediately seen on entry, but there was still a teaser with the low reveal; a way to evoke the memory of an event from my past, when I helped my grandfather rip out ruined drywall from his brother’s flooded house, chopping it out to just above the waterline; and an overarching interest in subverting the architecture in general, since the majority of my work at this point was repurposing architectural refuse and commodifying it.</image:caption>
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      <image:caption>trepanned | 2006</image:caption>
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      <image:caption>ten paintings (karabekian) | 2004</image:caption>
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      <image:caption>Bronze maquette with sticks and the fully-realized piece, my first real public sculpture. The sphere had pride of place in front of the Admissions Office of the Kansas City Art Institute for a few months. Its location was geographically about halfway between the sculpture department and my house, a block off campus, so I walked by it every day while it stood. I felt satisfied with the outcome, and later, fully validated when KCAI used this image of the piece as a postcard. The hollow ball (concrete over lath with a steel and plywood framework) was 8’ in diameter, with the sticks cantilevering out another 12 or 13’ into space.</image:caption>
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      <image:caption>sphere of the unknown | 2003</image:caption>
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      <image:caption>My illustration of the way the mind filters information from the ether; titled after the concept from One Flew Over the Cuckoo’s Nest of the ‘combine’. In the novel this is the Chief’s perception of how society’s machinery functions, processing and breaking people down. Classic man vs. nature theme (note the natural cone in tension with the steel cone) that appealed to me greatly as a young artist and still hums beneath my work like an imperceptible biorhythm. I would later learn that Rauschenberg used this handle Combines to categorize much of his mixed-media work. Graphite on plaster, steel, dyed grapevines</image:caption>
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  <url>
    <loc>https://www.patrickrennerarchive.com/work/clay-ceramics-7z4gp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592981411654-NOLSI5I3NMQ59UCTTH4G/pistil%2BCC.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Welded steel, turned and burned wood piece lap-jointed to a re-barked branch, brass pins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589940347352-TBJY7YM1WLKIOWDOUDIG/7.+swell.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Playfully titled to allude to the swell of the ocean, and/or the old-fashioned way of saying something is hunky-dory. The shape might be interpreted as waveform, or perhaps a whale surfacing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603862624967-7C5M1QPEAJQ2HRGW7OG2/hither%2Bthither%2Band%2Byon.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>My reimagining of billboards as something more visually appealing than what we are constantly inundated with here, there and everywhere. These forms were also inspired in part by the stilted architecture of the Gulf Coast region.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589940240452-5JY4HYL8ANGO7NF97J07/8.+seven+paintings.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>An experiment to see how much I could distill color and texture into a series of constrained/minimal forms, as well as highlighting the relationship between painting and sculpture with a repetition of constructed ‘canvases’. 4” x 5’ each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603859185273-JWBHSZMX16H5BA04CR97/14.%252Bsleeper.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>This title is borrowed from hotrod culture: a sleeper is a vehicle that looks unassuming from the outside but is built to perform…it will win off the line in a street race. The sculpture looks like a slug but is also sleek and aerodynamic. Veneered found painted wood over shaped plywood substrate, approx. 6 x 60”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589521255090-330GN089R7TLDQPDMP1I/15.+flotilla.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>An exercise in creating flow through faceted curvature and elevation shifts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603862715768-BB1Z7GOSL6TKBGPDHD6S/20.%2Btattoo.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>A meditation on subdermal pictography. Ebonized and found painted wood, 1 x 4’.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1593070427570-OWJE8P6GFZ5SJMS0C9DC/dipstick+copy.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Cross-pollination of nature and an element from car culture. Graphite on pine, found painted wood re-barked onto tree branch, approx. 11’ long.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590221178643-QWD7154ZHI9QO53L6UAS/10.+guadalupe+stump+fish+%281+%26+2%29.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>These little guys (12” high each) are an homage to my Uncle Mike’s deep-sea fishing tales. When he and his friends caught tuna off the California coast they would cut the heads off the big fish and leave them standing on the deck of the boat, calling them Guadalupe stump fish…gruesome perhaps, but the vivid imagery and euphemistic handle immediately inspired these forms.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589534042286-Q967WKBOZZHKQO7X8U8K/23.+spore.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>This form came out of the notion of removing the interior support structure to cut weight, leaving only its skin or exoskeleton. Veneered found wood was zip-tied together to make a 5’ diameter spherical piece. The sculpture was accepted into The Big Show (Lawndale Art Center, Houston) so I threw it into the back of my truck to take it there and loosely strapped it in. As soon as I pulled out of my neighborhood and picked up speed on a busy thoroughfare, the sculpture flipped out of the bed (!!) and bounced behind my truck on its tether. I pulled over and put it back in the truck, amazed that it was unscathed…paradoxically, because it was so light, it blew out of the vehicle but also was unharmed because it was springy. Important lesson learned about transporting lightweight, sail-like art pieces…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589533829310-V15MC3N50VQJ1OXBAQ0Z/22.+dood.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>This was my thesis piece for the exhibition of Kansas City Art Institute class of 2004 graduates. It’s a self-portrait (approx. 6’ tall) that was intended to be a sort of abstracted water tower form, slouching or melting. I became interested in the water tower icon in thinking about the physiology of the body’s high percentage of water content. As a result of spending over a month constructing and veneering this sculpture, I threw out my back, and couldn't cover the entire surface as planned. The silver lining was a possibly more dynamic surface, a ‘poured paint’ effect that reveals the understructure’s construction method and incidental markings. The experience of hurting myself caused me to reevaluate making such heavy pieces…the result was an exploration of light basketry forms, beginning with spoor [see image to the right]. The title came when my buddy left a note in my studio (“Hey dood, I came by…” ); I liked the palindromic spelling as related to my last name.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603863152834-DWS3PQXFSJJ7X7EDD5W3/24.%2Bp-shift.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Aside from the small exquisite corpse piece [collaboration with my father, pictured above], I made a conscious decision not to use any found painted material during grad school because I wanted to explore new avenues in the new program (please see images in Grad School section for comparison). This is the first painted wood construction I made after grad school. The title p-shift is meant to allude both to a paradigm shift and a personal shift, hence the representational imagery which was an approach previously not taken with the colored wood. It was shown first in a solo outdoor show at the Dallas Center for Contemporary Art, and then reconfigured for an interior application for another solo show in Houston the following year. It is 8 x 8’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603863101038-8W97FKX8L243Z9LHXP2Z/p-shift%252B%252528edge%252529.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>p-shift | 2005(outdoor)/2006 (interior corner)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592981062434-O5QJMK4K6EYAW68TSSN7/ockham%2527s%2Btounge%2BCC.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>ockham’s tongue | 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592981087329-R7ZE6YQ7AF2765O3Q7GY/ockham%2527s%2Btounge%2B%2528back%2529.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Inspired by the theory Ockham’s Razor, which states that the simplest explanation is often the best, this sculpture explores the complexity of language. Danger and propaganda are addressed in the mash-up of a guillotine blade and a billboard, parsing the notion of a “sharp tongue” with minimalism’s reductive scalpel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603859493773-B5K4G6OIKOYPOGBJWXPK/IMG_0080.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>This sculpture was one of my first forays into working with the public to produce a piece. It took the premise of the first zip-tied strip piece, spoor [see above], and scaled it up to just over people-size. It was made at Free Press Summerfest! the first year the Flaming Lips played there…I knew that Wayne Coyne would frequently get inside of an inflatable bubble and roll out on top of the crowd while performing, so I was geeking out hard on this fantasy that when my sculpture was completed, I would roll it to the stage they were playing, the crowd would surf my sculpture overhead all the way from the back right up to the band, and the Flaming Lips would be so wowed that they would want to find out who made the piece and then Wayne Coyne would become my new best friend. Well, my bubble was burst (literally) when, immediately upon starting to roll the completed sculpture, the ball collapsed under its own weight. I learned a crushing lesson that day about the ratio of the wood thickness to overall size, and the tradeoff between bendability and strength. I’m still holding out hope that I may someday have occasion to meet Wayne and tell him that tragicomic story…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1593740673290-ZIM8EUCU9HMD0OUJEV8R/drip%2BCC.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>A meta-exploration of the idea of a paint drip rendered in dry paint strips, and an incremental but important shift from the rudimentary sphere into more dynamic lattice forms soon to come… [see further progression of woven wood pieces in Installations section]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1593333007369-3F8YM3K3NYWKO6RFAL5Q/IMG_0774.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>This is the date of the first cloud-seeding experiment, conducted by a group of scientists who dropped 6 lbs. of dry ice from a plane into a cloud system over Mt. Greylock, MA and triggered a reaction resulting in some precipitation. I’m fascinated by the hare-brained idea of weather control, which is nearly impossible, and feels analogous to trying to control one’s emotions…‘internal weather’ if you will. Coincidentally, one of the scientists was the brother of Kurt Vonnegut Jr., Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589873649690-R96O1D8RD79EJLD5R9UU/plica%2Bsemilunaris%2528nictitating%2Bmembrane.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Inspired by another vestigial appendage, this is the phantom third eyelid found in many mammals, including humans. A functional nictitating membrane, found in various modern-day reptiles, birds, and sharks, allows them to protect and moisten the eyeball while still seeing through it when drawn across the eye. I applied this idea to a form that is meant to evoke a stylized Venn diagram. The wood composition was constructed and then cut apart; the right half was sanded to ‘frost’ its surface some, and then reattached to the whole in a slightly shifted orientation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589873692073-IRDAX4EIQEX59VHW0Z10/dewclaw.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>My abstraction of the curious little vestigial nubbins on dog and cat paws</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590129170736-LCTXY7OW3KYEDEZOQXCV/billboards.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>billboards | 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590163340847-MQ0K62Z9M093LQZ7JKBF/3.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>core samples | 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590163316338-O3IHO8FZKGX5BMR5SCDG/2.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>billboard | 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590635922205-8M0HD0FFFXXIP6WSBUDU/specter.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>specter | 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590637760210-UFTZXGK4X8WOPNSBC5DP/duven.jpg</image:loc>
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      <image:caption>duven | 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590730071339-Z6MROZNC257YLJ1WG8J9/top+shelf.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>top shelf | 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603860076571-K99NM2CJEB3ILGXQQLVA/spary%2525252B%2525252528sideview%2525252529.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>spray (dead flowers) | 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603860193215-SUVUGJQD054Q1D232ATT/spray.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Extraction of the silver lining from the edge of my recurring cloud form. An exercise in veneer-bending and an experiment to see what happens when the sculpture is reduced to an outline that frames the wall behind it, changing the vernacular of the artwork by de-centering it pictorially. Also a play on a spray of dried flowers as precipitation, with the parenthetical title borrowed from the Stones. The song of the same name has a jaunty melancholy to it that I’ve always liked, a sort of decadent nihilism that Mick and Keith do so well.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590729462753-VS5GV20Q0KTMXY8P3K4F/chunklets.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>These pieces came out of the interest in lowering my carbon footprint further—on top of collecting found wood—by using as much of the waste material from my studio as possible rather than throwing it away. I realized the drops (odd-shaped plywood cutoffs from other projects) would be an interesting substrate for randomly-generated pieces. Furthermore, it was a fun direction to explore quick colored wood compositions confined to a small surface area, a mutation/continuation of the thesis behind seven paintings [see image above in this section].</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603863785515-1YEKBMP3ZXGYSAYD86EQ/56.%25252Btropical%25252Bdepression.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>tropical depression | 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1603862519080-K7NJWDG2OHK7N1VR7QYX/57.%2Btropical%2Bdepression%2B%2528side%2529.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>There’s something wonderfully ironic about that phrase—one we’re all too familiar with on the Third Coast—which encapsulated my feelings post-divorce from my first wife. As a title it served as the perfect oxymoron for my emotional state, simultaneously devastated and elated. With the form of the piece I meant to evoke the chaos of a storm system, overlaid on a shaped panel that could be read as an excerpt of the land dipping down toward sea level.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589872306280-TRAO08ZVTOJACXRESZ22/Miss+Match+%28fisticuffs%29+and+speaking+stick.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>fisticuffs (miss match) &amp; speaking stick | 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589874120780-3A03THCX6YPG36CQ61FU/slumber+%28stairdown%29.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>This piece honors the memory of my mentor Lee Littlefield by re-presenting vestiges of his studio in a posthumous collaboration…something I wish I’d instigated while he was living. The painted hardvines beneath the plinth are meant to invoke the sensation of sleep as it overtakes a body, creeping up on countless silent feet.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589874170298-CK1A4X59EUQKS1JGRRG7/slumber+%28arial%29.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>slumber | 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1597177741016-5BSLB13EKSEGHRY7W6QS/mr.+blue+sky.JPG</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Another exploration of artwork as frame/frame as artwork, with the notion of co-opting the wall and shifting it from support/background to featured aspect of the sculpture. I like the idea that it captures whatever wall it is displayed on and directly implicates it in the art. Titled after the ELO song of the same name. Found painted wood, custom pyrex tubing.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1597177921076-WIYMDUD4PVQKWGV17MLE/interval+in+sunlight+%28angle%29.JPG</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>interval in sunlight | 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590219617360-G3SJRZ0NRTIX7MQDKQCT/Screen+Shot+2020-05-23+at+2.39.50+AM.png</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>This piece in its original form involved a garage door opener that would move the cloud down the wall, momentarily revealing the circular yellow neon hiding behind it, before returning to rest and obscuring the neon again. The title is borrowed from a Ray Bradbury short story that examines the psychological tension of a codependent relationship.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592459891224-SZ9VGAGMSOC0AKI5MZQO/frankenstein%2Bmethod.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>the frankenstein method | 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589872173019-HODFOSNQ9B6QHW0GD5QH/cousins.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>cousins | 2015</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>sonrisa | 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1597731339941-SYVUMGXRAOWAVTST1NRC/61.+from+apex+to+zenith.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>from apex to zenith | 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1590566668470-JDP8TFL96758KRLHDFAS/PatrickIMG_9605.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>new range | 2015</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1613110997501-FQ27U5N8X9DMSCE3VEVA/parade_o.jpg</image:loc>
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      <image:caption>parade | 2016</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>our corner of the moon | 2017</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>monster under the stairs | 2017</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>emblem | 2018</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592803937119-JNOWUJL9LXE644SCM7LL/scum+angel.jpeg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>scum angel | 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592804592999-6BJRL4M430Z0WUEAQIS0/green+thumb.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>green thumb | 2019</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>constellation | 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1597179117451-KMX1D4UCOGDBVGRDUYUI/parcelling%2Bthe%2Bsky_O.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>parceling the sky | 2020</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1597179195508-D716NH9HH8268FCEJFZ3/parcelling%2Bthe%2Bsky%2B%2528angle%2529.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Vintage suitcase, found painted wood, silver paint, staples</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/ac028a9f-a696-4b9b-91db-2c60857fa0de/rowhouses.jpg</image:loc>
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      <image:caption>rowhouses | 2020</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Vintage suitcase, found painted wood, silver paint, staples</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>Vintage suitcase, found painted wood, silver paint, staples</image:caption>
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      <image:caption>introvert | 2021</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>peel, 2000</image:caption>
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      <image:caption>return, 2001</image:caption>
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      <image:caption>flying, 2002</image:caption>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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    <image:image>
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      <image:title>Work - Evolution of painted wood</image:title>
      <image:caption>cicada, 2002</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589519794073-F34POWTTFZI0EXNOK26W/18.+tad.jpg</image:loc>
      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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    <image:image>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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      <image:title>Work - Evolution of painted wood</image:title>
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  </url>
  <url>
    <loc>https://www.patrickrennerarchive.com/work/crosby-nursery-j8pwn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592977216031-OOB5FB5C103Y4KH0WV8B/corpsework.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
      <image:caption>exquisite corpse sculpture | 2015 [collaboration with Dylan Conner + Alex Larsen]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1605680222934-SRH5XUG3GW5MXSB81XN0/hernia.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
      <image:caption>hernia…barely know ya | 2015 [collaboration with Dylan Conner + Alex Larsen]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1605680040739-6GO3HFZ1OQZG22ZWYWFN/corpse_1.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
      <image:caption>half-off puffer dongle | 2015 (Alex(Patrick(Dylan Conner)Renner)Larsen)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589939226353-OFZ8P4FLYS7ZCDOG16Q6/IMG_1010.JPG</image:loc>
      <image:title>Work - Weirdos</image:title>
      <image:caption>squiggles | 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591250553313-YJ7M4LU33ST3EWZD437O/eye+candy.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
      <image:caption>eye candy | 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589945315437-M6BROR6RBP49C0ASQXLO/IMG_1158.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
      <image:caption>wedge wave | 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589945342965-1HHQKK4YO9I95NZX8FF0/IMG_1163.JPG</image:loc>
      <image:title>Work - Weirdos</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589945378811-RAQHYMVZL5MD6HDPYOQ1/IMG_1174.JPG</image:loc>
      <image:title>Work - Weirdos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592978942533-QH3AHMJL62F0XOCX75K9/Xax6.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592978987187-SBUKLKGI53T8QNRF7KGI/Xax2.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
      <image:caption>xmas axis -or- geometree | 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1597729846048-E63Z9IJRA5ULSPOYYW95/side.JPG</image:loc>
      <image:title>Work - Weirdos</image:title>
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      <image:title>Work - Weirdos</image:title>
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    <image:image>
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      <image:title>Work - Weirdos</image:title>
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      <image:title>Work - Weirdos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1597729946305-645I9U9I6FLBY58J1TUR/G%2BG.jpg</image:loc>
      <image:title>Work - Weirdos</image:title>
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  </url>
  <url>
    <loc>https://www.patrickrennerarchive.com/work/studio-vega-73wfp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591855355050-ANGWFI4MRX07U6ZAWXMK/white%2Bwhale.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>white whale | 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591855397468-WMHOV1O0BD1PGTALKQVL/thimble.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>thimble | 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1589758603666-35FVO42AN235IQA5BTEE/canopy.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591251620090-IHJEIHJM9JVSNZUF2IB3/cottage%2Bgrove%2B%2528interior%2529.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591251267124-N4406IUXIOT0A6BTJ80U/cottage+grove.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>cottage grove | 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591857064393-YLO17RBJ334MT4P92GSU/ghost+face.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>ghost | 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591857131504-T897VAY3AR7OE5B5T5ZB/close-up+%28twombly%29.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1591857254247-49UO6IC8KL80D82FKCRJ/ghost.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1594532856080-V5L92QL4XEHELDN8BOP8/fmk.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>forget-me-knot | 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1594532892369-QAA73MVFIUZWJ8P9HZPB/knot+maquette.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>Since the focus of my thesis was on memory—specifically how it becomes embedded/contained in objects—I had an idea about a correlation to clothing: if a person’s wardrobe defines them in some way, perhaps the lost sock phenomenon that we all experience is like the small things we forget here and there. What would a lifetime of these lost memories look like, aggregated into one object? A simple overhand knot seemed like a perfect form to carry this content, since a string around the finger has historically been a mnemonic device, and I liked the meta aspect of socks knotted onto a scaled-up knot framework. I collected lost socks over a period of a few months to make this piece, recovered from the Alfred laundromat where I did my clothes, and occasionally found on the street (once I was sorry I’d picked up one I found in NYC while on a weekend trip there…) The maquette for the piece was a bit of knotted rope dipped in plaster that I was able to draw on top of to understand how to translate the solid into a wireframe. On a whim, I stuck it in one corner of the gallery when I installed my thesis show, as an easter egg, but sadly someone stole it at some point during the run of the show…now it is but a memory…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1594407967133-5NNAMRYOR7AWDWEJVLVD/composite+floor.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592805920650-AZKT1AFK9EMZ6KJDF5T1/toprennerpot.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>toprennerpot | 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592806239451-RBF8ODGZAL9UJJIYNFUT/temporary.jpeg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>temporary | 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592808073340-4542K3Y8BZUBTIC44YSD/palimpsest+%28final%29.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>palimpsest (thesis) | 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592808000207-YW46LKVO66HED5913DR0/palimpsest+%28draft%29.jpg</image:loc>
      <image:title>Work - Grad school</image:title>
      <image:caption>palimpsest (draft) | 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1592548915134-DLPEBGHIOTTH6VRX00HR/forest%2Bfor%2Bthe%2Btrees.jpg</image:loc>
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      <image:title>Work - Grad school</image:title>
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  <url>
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      <image:caption>exploded spiral | 2002</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1605680543883-S64S961BB6KTK80ONBQK/buoy_.jpg</image:loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1600756887217-2OXMMB1UR9E20N169QW6/gordian%2Balchemy_.jpg</image:loc>
      <image:title>Work - Undergrad</image:title>
      <image:caption>gordian alchemy | 2002</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb25afd130a7a67ee3cc1b0/1600757293130-QM8POIGRV2QC593H7IES/antaeus%2B%2528detail_.jpg</image:loc>
      <image:title>Work - Undergrad</image:title>
      <image:caption>Grapevines; real and cast bronze (burnout method)</image:caption>
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    <image:image>
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    <image:image>
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      <image:caption>omnivore | 2003</image:caption>
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    <image:image>
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    <lastmod>2025-03-16</lastmod>
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